The Witches Sequel Conversation
The 2020 Robert Zemeckis film adaptation of Roald Dahl's The Witches was a box office disappointment but found a second life on home video and streaming. Now several years later, the question of whether a sequel makes sense keeps coming up in discussions among fans and industry watchers. There isn't an official announcement from Warner Bros. about The Witches 2, but understanding the landscape helps explain why the idea has staying power despite no green light. The original film starred Anne Hathaway as the Grand High Witch and used a mix of practical puppetry and CGI for the transformed children. It grossed around $112 million worldwide against a $100 million budget, which is mediocre at best. The critical reception was mixed, though many parents and younger viewers responded positively to the tone. That audience gap between critics and casual viewers is exactly where sequel potential usually lives.
Whats Coming Next Decoding The Witches 2s Path To A Beloved Sequel
If a sequel happens, the most likely path would be straight-to-streaming through HBO Max, given the original's performance trajectory. A theatrical release would need a significantly stronger opening weekend to justify the budget, and the property doesn't currently carry that kind of built-in IP weight. A streaming release changes the economics considerably, allowing for a lower budget while still reaching the target demo directly. I've tracked development announcements for family franchise sequels for years, and the pattern is usually pretty clear. First, you wait for the streaming numbers to stabilize. Second, you assess whether the original cast is available and interested. Third, you look at whether the creative team wants to return. With The Witches, all three of those variables are currently in a holding pattern. Hathaway has moved on to other projects. Zemeckis hasn't publicly discussed returning. No script has been leaked or reported. There are some practical considerations that anyone looking into this should understand. Roald Dahl's estate is notoriously protective of the source material's tone and content. Any adaptation needs to navigate that carefully, especially if the sequel diverges from the original book's narrative. The first film already took significant liberties with Dahl's story, so a sequel would likely need to create an original storyline rather than adapt another Dahl work. That raises the bar for screenwriting considerably.
One thing people often miss when evaluating sequel potential is the toy and merchandise angle. Family films that become beloved usually have a merchandise engine behind them. The Witches had some product placement and a few merchandise items, but nothing approaching the volume that drives these decisions at the studio level. Without strong toy sales or licensing deals, the financial case for a sequel weakens regardless of what fans want. The practical effect of all this is that any realistic path forward involves either a streaming-exclusive sequel with a modest $30 to $50 million budget or a complete reimagining that resets the franchise. A direct narrative continuation with the same characters and actors is the least likely scenario simply because of scheduling and cost complications. I've seen similar situations play out with other adapted properties where the original cast had moved too far into their careers to comfortably return for a follow-up. If you're following this prospect, the most useful approach is to monitor HBO Max's family content strategy and any statements from the Dahl estate. Those two data points will tell you more than any gossip column or fan petition. The studio's internal viewing metrics for the original film are the actual deciding factor, and those numbers aren't public. What we can observe is that the property has a dedicated but niche fanbase, which is enough to sustain occasional discussion but rarely enough to force a green light on its own.
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