Paul Drake: The Character Behind the Desk at the Mason Office
If you watched Perry Mason, you probably remember Paul Drake. The private investigator, the guy who knew everybody in Los Angeles, the one who would come striding in with information about a witness or a suspect. What you might not remember is how tall he looked on screen. The question of Paul Drake's height came up recently in a forum thread, and honestly it's one of those details that seems simple but is harder to pin down than you'd think. Here's the problem. Perry Mason ran for nine seasons from 1957 to 1966. Two different actors played Paul Drake. William H. Osborne was the original, appearing in the first three seasons. Richard Denning took over the role for seasons four through six. Each actor had a different physical presence, so there isn't actually a single definitive answer for Paul Drake's height. William H. Osborne was listed at around 5 feet 10 inches in various casting sources from the era. Richard Denning was reportedly closer to 6 feet. That's already a half-foot gap between the two versions of the character, and neither measurement is officially confirmed by the production. Studio records from that period simply didn't document actor heights the way modern casting databases do.
I ran into this same problem last year when I was trying to compile physical descriptions of recurring characters from classic television for a personal project. I hit a wall with Perry Mason. The DVD box sets don't include cast dimensions. Warner Bros. doesn't seem to have digitized those records from the 1950s and 60s. What I ended up doing was looking at episode frame captures and comparing the actors to known-set measurements where possible. The Mason offices set had doorways and furniture at standard scale, which gives you a rough reference point if you're willing to go frame by frame. There's also the camera trick issue. Classic television used a lot of low-angle shots to make actors look more imposing, and high-angle shots to diminish them. The show was shot on film with relatively shallow depth of field, which compresses distance in ways that can make someone appear taller or shorter depending on where they're standing relative to the lens. A 180mm lens at close range distorts facial proportions and body height in ways that are hard to account for without the actual camera setup notes. What most people seem to settle on is that Paul Drake was generally portrayed as an average to slightly above-average height man. In the Osborne era, he read as maybe 5'10". In the Denning era, he read as maybe 5'11" or 6'. Both were tall enough to convey competence and authority without being unusually large, which fit the character perfectly. He wasn't supposed to be the strongest person in the room. He was supposed to be the smartest.
The deeper issue here is that this kind of research has serious limitations. You can watch every episode. You can measure frames. You can compare actors side by side. But you're never going to get a definitive answer because nobody on that production wrote down Paul Drake's height in any document that's publicly available today. The closest thing to an official source would be the original casting call sheets, which are held in archives that aren't fully digitized or accessible. If you want to pursue this yourself, start with the William H. Osborne episodes and note where Paul Drake stands next to Raymond Burr. Burr was approximately 5'8" or 5'9", and in most two-shots Drake comes out slightly taller. That suggests Osborne was in the 5'10" to 6'0" range, which matches the casting information I found. Then switch to the Denning episodes and you'll notice the same dynamic holds, though Denning himself was a bit taller and broader than Osborne. The takeaway isn't really about height. It's about how much of a character lives in the details we absorb without realizing we're absorbing them. You remember Paul Drake as a solid, reliable presence because of how the show positioned him visually, not because of any specific measurement. The mystery of his height is just a symptom of how much information gets lost when a show from the late 1950s transitions into the digital age.
Get the Full Details
