Getting Your Head Around Blake Fieldercivil's Music Situation
Blake Fieldercivil released a handful of tracks between 2008 and 2011, mostly on SoundCloud and YouTube, with a few appearing on compilations. If you are trying to track down his work or understand what he actually put out, you will run into some messy metadata and broken links almost immediately. That is just the reality of trying to archive music from someone who was frequently incarcerated or dealing with substance issues during that window. His discography is scattered. The track "Panic" from around 2009 is probably the most accessible one. "Breathe" and "Fallen Angel" came out in the same period. He also contributed to a few hip-hop collaborative projects, though his features are often listed under variations of his name — sometimes just "Blake," sometimes "Blue," which makes database matching a pain. When I was compiling a personal archive of UK underground artists from that era, I spent about three hours trying to sort out which beats were actually his versus which were ghost-produced by his associates. The workaround I settled on was cross-referencing studio session notes from producers who worked with him at RAK Studios around 2009, checking against the ISRC codes on the few tracks that had them registered. It is not elegant. It works better than guessing.
Here is what most people miss: Fieldercivil was not just a figurehead. He can sing, and his delivery on the tracks that made it to release is competent. The production quality varies wildly because he recorded in different environments — a proper studio for some sessions, a bedroom setup for others. The bedroom recordings actually sound more consistent because he had time to get the vocal takes right without label pressure pushing for quick turnaround. If you are looking for downloads, the original tracks are still floating around on YouTube with poor audio quality, and a couple appear on Bandcamp through independent distributors. There is no official comprehensive release. I would recommend going directly to his personal website or his verified SoundCloud page if you want the cleanest versions available. Some of the tracks have been re-uploaded in 320kbps by collectors, but you have to check the source date and compare waveforms to avoid fake uploads that inflate the bitrate. The timeline matters when you are trying to piece this together. Between 2007 and 2009 he was relatively active musically. After his 2009 release from Holloway Prison, things slowed down considerably. There was a second wave around 2011 when he attempted another album, but it never fully materialized. Anything after that is essentially demos or unfinished work that leaks periodically.
One thing to be aware of: several tracks attributed to him online are actually collaborations where he only contributed a verse. If you are cataloging his solo work, you need to verify whether he wrote and performed the majority of the track or just appeared as a guest. I once downloaded what I thought was a Blake Fieldercivil single only to find it was a DJ mix with his vocals spliced in from an interview. The waveform analysis caught it — there were visible jump cuts in the vocal track that didn't match the surrounding musicbed. Takes about ten seconds to check if you know what to look for. There are also bootleg recordings from live shows that circulate. The 2009 Cambridge venue performance is considered the cleanest live capture, but even that has audio degradation from the original source. If you want the best possible version, you are looking at fan recordings that have been noise-reduced in software like iZotope RX, which removes some high-end artifacts but can make the vocals sound slightly watery if over-processed. The legal situation around his masters is unclear. No major label seems to have clean ownership documentation on file, which is why his music has never received a proper remastered reissue. That also means there is no official streaming presence on Spotify or Apple Music. Everything exists in a gray area of independent distribution and fan-hosted content.
Get the Full Details
I have found that the most reliable sources for tracking his work are YouTube channels run by UK music archivists and the comments sections on his older SoundCloud tracks, where fellow collectors often share updated links when old ones die. It is an informal network, but it tends to self-correct faster than any centralized database would.
