The Honest Truth About Writing Obituaries

The Art Of Crafting The Perfect Obituary A Guide To Honoring The Departed sounds like something you'd read in a magazine with a stock photo of a single candle on a dark background. It's not. It's a practical writing task that most people have never been trained for, and the stakes feel higher than they actually are because grief makes everything feel apocalyptic. I wrote seventeen obituaries over six years while working at a small funeral home. Seven of them were for people I barely knew. The other ten were for family friends, neighbors, and one coworker I had lunch with twice a month. By number seventeen, I had developed a system that took about twenty minutes per obituary and produced something decent. The first three took me half a day each and still felt empty. There's a reason for that gap. Here is how the process actually works when you strip away the sentimentality.

What an obituary actually needs to do

An obituary has two audiences that are fighting each other. The family wants it to honor the dead person. The newspaper wants it to run within word limits and not cause problems. The reader wants to understand who that person was in about three minutes. Your job is to satisfy all three without making anyone uncomfortable. The structure I used consistently looked like this: a factual opening paragraph with name, age, city, and date of death. A second paragraph covering survivors and predeceased relatives. A third paragraph with biographical details—where they went to school, what they did for work, what they actually enjoyed doing. A fourth paragraph with service information. That's it. Four paragraphs. Sometimes three if the person's life was straightforward. Sometimes five if there were unusual circumstances that needed careful wording. The mistake most people make is putting the service details first. Readers skip that information anyway. Lead with the person's story, not the logistics.

How I Actually Gathered The Information

The hardest part of writing an obituary is not writing. It's collecting facts from grieving people who are either too overwhelmed to remember details or too attached to a particular version of events to share an honest one. I started every assignment with a phone call to the primary contact. I asked the same questions in the same order every time. Full legal name. Date of birth. Place of death. Names and relationships of surviving immediate family. Names and relationships of those who died before them. Occupation and employer. Education history. Military service if applicable. Hobbies and interests. Church or community affiliations. Surviving family members' cities. Service time and location. Donation preferences. Photo availability. I wrote down every answer. Some answers required follow-up calls because the first round of questions always surfaces incomplete information. One specific case stands out because it showed me how much damage assumptions can cause. A family called about their father, describing him as a "quiet man who loved gardening." They provided three surviving children and two grandchildren. I drafted the obituary based on that information and sent it to the daughter for approval. She called back immediately, furious, because the obituary omitted her mother's name. The father and mother had been married for forty-one years. The daughter had simply forgotten to mention the spouse during the initial call because she was focused on organizing the funeral arrangements. I revised the obituary in twelve minutes and resubmitted it. The family was satisfied. The initial version would have caused a real problem at the reading.

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The Art of Crafting the Perfect Obituary: A Guide to Honoring the ...
The Art of Crafting the Perfect Obituary: A Guide to Honoring the ...

This is why I stopped trusting first-round information. Always verify the spouse. Always verify siblings. Always ask specifically whether the deceased had any children from a previous marriage or relationship. These omissions happen constantly. They happen because grief scrambles memory. It's not intentional. It's just how the brain works under stress.

Word count expectations by publication

Daily newspapers typically charge by the line or by the word. A standard obituary runs between 150 and 300 words. Local weeklies and community papers often accept up to 400 words. Online memorial platforms have no real limit but readers stop engaging after about 250 words. If you're paying for print space, shorter is almost always better. Dense is better than fluffy. I learned this the hard way when a family insisted on including every club membership their mother had held between 1978 and 2003. That added approximately eighty words. The total ran 340 words. The local paper charged them for an extra line at $4.50 per line. They were upset about the cost more than anything else. I now flag word count early and suggest cuts before the draft is even finished.

Common Pitfalls That Make Obituaries Worse

Overly formal language is the biggest problem. People write obituaries the way they think dead people should be discussed—as if being dead changes how you use adjectives. It doesn't. A person who laughed loudly at dinner parties and called their grandkids "the terror duo" did not become a solemn figure the moment their heart stopped. Write them like a human who existed, not like a statue someone polished. Another pitfall is the survival list. Including every single nephew, niece, cousin, and in-law creates a document that reads like a census report. List immediate family in full. Group extended family into a single phrase like "survived by three siblings, twelve grandchildren, and several great-grandchildren." Readers understand the structure. They don't need every name to feel the weight of the family. Saying someone was "a wonderful person who will be missed" tells the reader nothing. It's the verbal equivalent of a blank wall. Replace it with one concrete detail. "She volunteered at the animal shelter every Tuesday for fifteen years." "He restored vintage motorcycles in his garage and gave them away to his grandchildren." Specificity does the emotional work for you. Generalizations don't.

Sample of Obituary: A Step-by-Step Guide to Crafting a Tribute
Sample of Obituary: A Step-by-Step Guide to Crafting a Tribute

Religious language is fine when it matches the family's actual beliefs and the deceased's actual life. It becomes problematic when it's inserted as a default because someone assumes that's what an obituary requires. A secular person who spent their life as a skeptic and never attended church is not honored by adding "in God's care" to their final public description. Ask the family directly whether they want religious framing. Don't assume either way.

Handling Difficult Circumstances

Sometimes the death is sudden. Sometimes it's expected after a long illness. Sometimes the circumstances are complicated—a criminal record, a strained family relationship, a suicide, an overdose, an accident during travel. The obituary doesn't need to explain any of this. It needs to exist. I worked with a family where the deceased had been estranged from his only son for twelve years. The son had not spoken to him since a dispute over inherited property. The family initially wanted to omit the son entirely. The deceased had actually named him as his primary beneficiary. Omitting him from the obituary would have been a deliberate lie of commission, not just omission. We included the son's name with a neutral phrasing: "He is survived by his son, Michael Davies of Columbus." No extra detail. No false reconciliation narrative. Just the fact. The son called the next day and said it was exactly what his father would have wanted. The other siblings agreed. Everyone moved on. The workaround for complicated family dynamics is simple: state the relationship factually without commentary. You are not writing a family therapy document. You are writing a public notice with biographical content. Neutral language protects everyone.

When an obituary cannot be written well

There are situations where writing a traditional obituary is impossible or counterproductive. If the deceased was a convicted sex offender, for example, publishing a celebratory biography does a disservice to the community. In those cases, I recommend a minimal public notice that states only name, date of death, age, and service information. No biography. No accomplishments. No qualities. Just the factual minimum required by the newspaper's submission standards. Families sometimes resist this approach. They want to "honor their loved one." But honoring a person and lying about who they were are not the same thing. A bare-bones notice is honest. It allows readers to form their own conclusions based on their own knowledge. Another scenario where obituaries fail is when the death involves an ongoing investigation. Homicides, unexplained deaths, and cases still under police review should not have detailed obituaries published until investigators give the all-clear. Details about the circumstances of death can interfere with legal proceedings and contaminate witness memories. In these cases, wait. The newspaper will run a brief notice later if the family still wants one. Patience prevents real harm.

A Guide to Crafting a Meaningful Obituary: Honoring Your Loved One's ...
A Guide to Crafting a Meaningful Obituary: Honoring Your Loved One's ...

A Practical Template That Works

I used this structure repeatedly because it covers every requirement without excess: Paragraph one: Full name, age, city of residence, date and location of death. One sentence stating the cause of death only if the family explicitly requests it. Otherwise, omit it entirely. "Margaret Ellen Torres, 74, of Burlington, Vermont, died on March 12, 2024, at Fletcher Allen Healthcare after a brief illness." or "James Robert Chen, 61, of Portland, Maine, passed away peacefully at his home on April 3, 2024, surrounded by his family." The second version contains no cause of death and that's fine. Paragraph two: Survivors and predeceased relatives. "She is survived by her husband, David Torres; her daughters,Laura Kim and Sarah Torres-Webb; her sons, Michael Torres and Daniel Torres; and her seven grandchildren. She was predeceased by her parents, Henry and Joyce Kim, and her brother, Thomas Kim." Keep it tight. Two or three lines maximum.

Paragraph three: Biographical content. This is where most people overwrite. Two or three sentences. Education, career, military service, a hobby, a defining characteristic. "Born in Seoul, South Korea, she emigrated to the United States in 1968. She worked as a dental hygienist at Burlington Family Dentistry for thirty-two years before retiring in 2015. She was an avid gardener and grew prize-winning dahlias that she entered at the Chittenden County Fair annually from 1982 to 2020." Three sentences. Concrete details. No filler. Paragraph four: Service information and donations. "A memorial service will be held at Greenmount Cemetery on Saturday, April 13, at 2:00 p.m. In lieu of flowers, the family requests donations to the Vermont Community Food Bank." Done. That's the whole document. Between 120 and 180 words.

The photo decision

Most newspapers and online platforms accept one photograph. The family will almost always provide one. The photo matters more than people realize. A recent casual photo from a family gathering usually works better than a formal portrait because it shows the person as they actually appeared in daily life. I once saw an obituary for a woman who loved hiking and spent every weekend outdoors. The family submitted a headshot from her corporate ID badge taken in 1997. She looked stiff and unhappy in the photo. We requested a different image from a hiking trail. The published obituary felt completely different with the right picture. The text hadn't changed. Only the photo did. That single change improved reader engagement significantly and made the piece feel more truthful. Always send the draft to the primary family contact at least 24 hours before publication. Give them specific instructions on what to check: names spelled correctly, dates correct, relationships accurate, service details confirmed. Don't ask "Does this look good?" That's too open-ended. Ask them to verify facts against their own records. People will catch errors you missed because you never met the deceased and you're working from secondhand information. Submit to the newspaper according to their specific guidelines. Some require death certificates on file. Some require the submitter to be an immediate family member. Some have online portals. Some still want paper submissions. Check the publication's website before you start writing. Wasting an hour on submission logistics after you've already written the obituary is unnecessary.

The Funeral-Memorial Program Blog: Crafting an Obituary: A Guide to ...
The Funeral-Memorial Program Blog: Crafting an Obituary: A Guide to ...

Proofread once more before submission. Run the names through a quick sanity check—does every person listed in the survivor paragraph have a logical age range? Does the timeline make sense? Did you accidentally list a living sibling as predeceased? These errors happen and they are embarrassing to correct after publication. The Art Of Crafting The Perfect Obituary A Guide To Honoring The Departed isn't really about art. It's about accuracy, brevity, and honesty. Write the person as they were. Cut what doesn't belong. Verify everything twice. Submit it on time. The family will read it once at the funeral and then put the newspaper in a drawer. That drawer becomes a permanent record. Make sure it's something worth keeping.